Wednesday, June 8, 2011

Barcode Orchestra

Art Students Find Barcodes Make ‘Beautiful’ Music
event

Barcode Orchestra

What does a bottle of shampoo or a Twix bar sound like?
exhibit on display through Aug. 31 at Artispherein Arlington, Va Through August 31.
Free
Hallway to Dome Theatre


By Colleen Kearney Rich: GMU University News
Most students are used to struggling for their art, but getting kicked out of Target is a different matter entirely. Still, Mason senior Lindsay Hawkswas not at all troubled by the store’s request to vacate the premises.
Instead, Hawks and her partners in art, Alex Straub and Peter Lee, moved on to the Walmart in Burke, Va., to conduct their research as part of Edgar Endress interactive installation art class last spring.
Their work involved scanning the bar codes on merchandise in the store to see what a candy bar or a bottle of shampoo “sounds” like. Lee had developed an algorithm to convert bars from a Universal Product Code to musical tones or, more specifically, MIDI (Musical Instrumental Digital Interface) notes.
The group also captured their interactions with the merchandise and customers throughout the “performance” on video.
“We had to come up with a final project, and it had to be collaborative. This is what we came up with,” says Hawks, who will graduate with a BFA in art and visual technology this week.
They called themselves the Barcode Orchestra. Lee and Straub both work in new media. Hawks is “technically a painter.”
“It was Peter’s idea to take the interface we built and go to Walmart to do live performances,” she says. “As soon as we did that, we realized that whatever was happening wasn’t what we expected it to be, but it was still interesting.”
While Lee provided the technical know-how, Straub served as the sound engineer. Hawks soon found that she excelled at interacting with the shoppers.
All considered the project a success, but did they get a good grade?
“I loved the project,” says Endress, who is an associate professor in the School of Art. “I think it is really relevant work and ties into current use of technology in communities and public spaces. It is one of my favorites.”
Others agree with Endress’ assessment. Over the past year, the Barcode Orchestra has contributed an interactive installation to a show at the World Bank and at the Hemphill Fine Arts Gallery in Washington, D.C. The team also has an exhibit on display through Aug. 31 at Artispherein Arlington, Va.
What does the future hold for the Barcode Orchestra?
Well, graduation, of course. Straub has already graduated, and Lee and Hawks are finishing up their course work.
“We could push it some more,” says Hawks of the project, but it all depends on what is going on in their lives.
Endress believes they all have great careers in front of them.

Sargent Thamm sponsor exhibit "...a mile in my shoes."

Saturday, September 10 at 5:00pm - September 17 at 5:00pm
Location

Created By

ForGMU Printmakers Guild

More Info
Location: George Mason University
Art and Design Building
Alcove Gallery

Dates: 10 – 17 September 2011

This exhibit attempts to demonstrate how we collectively or individually carry the memories of the people that have touched our lives with us as we move through our own. The events of September 11th, 2001 and those that followed have given us ample opportunity to highlight the ordinary, sometimes heroic, but always human, everyday actions of our fellow human beings. Memories of simple giving by people like Jim Lynch who spent many years walking the Pentagon halls handing out Werther’s Originals; he bought them by the case. Every day, during Jim’s lunch break, he would walk a regular route handing out the candies to people, trying to put a smile on their faces.
“…a mile in my shoes.” Is an exhibit that connects small portraits of individuals like Jim (painting, print, photo etc.) with a corresponding piece of footwear that signifies not only the person, their individual qualities, but also the fact that we carry the memories and lesson of them with us through our own lives. Imagine a portrait of Jim on one wall and somewhere on another wall is a technicians shoe filled with Werther’s candies for the taking.

More about Jim Lynch at http://pentagonmemorial.org/explore/biographies/james-t-lynch-jr

- This is a Sargent Thamm sponsored event.

GMU Grad Student Gwynneth Van Laven featured in Exhibit at Kennedy Center


 
June 3-30, 2011
Terrace Gallery
The John F. Kennedy Center for
the Performing Arts



Panel Discussion
With Select Artists
Atrium · The Kennedy Center
Thursday, June 9 · 6:30-7:30 p.m.
Free · Reception following
RSVP: rmloose@vsarts.org
             202-628-2800 x3898

A quest to capture images, when faced with losing sight.
A career change, after a diagnosis.
Redefining a worldview, from escaping pain to seeking happiness.

VSA invited artists living with disabilities to share moments when a
shift in their landscape occurred. From the personal to the
professional, their stories are told through a range of media in this
international juried exhibition.
_____________________________________________________________

Featuring:

Sarah Beren
Jesse Higman
Hal Moran
Mare Vaccaro
Allen Bryan
John Lambert
William Newman
Gwynneth VanLaven
Brenna Colt
John McCafferty
Thomas Sedgwick
Kurt Weston
Emily Dailo
Bruce Monroe
Chris Tally Evans
Jon Wos
Liz Doles



  _____________________________________________________________

 For a deeper look inside Shift, don't miss the June 9 panel discussion moderated by the Hirshhorn Museum's Jessica Dawson, former arts writer at the Washington Post. Panelists include Civilian Art Projects founder Jayme McLellan, and artists William A. Newman, Mare Vaccaro, and Bruce Monroe.


The discussion will be followed by a reception.


Image Credit: © 2011 Bruce Monroe, detail of  501,310/1,077,972 (MMWR), handcut fiberglass (72" x 23" x 18")
 Photo: Chris Otten